วันจันทร์ที่ 29 เมษายน พ.ศ. 2556

A Trick of the Light By Louise Penny

AppId is over the quota
AppId is over the quota

Apparently this was an interesting if not particularly difficult book for Ms. Penny to write. I am not sure if it was because of personal experience or just the subject matter but it is absolutely brilliant. If she is an artist and received a not so glowing review I say 'whatever'! If you like it and it made you happy to paint it - go for it. This brings us to one of the topics of this fabulous mystery. Art has critics just like any other medium and sometimes this can be a make or break for said artist. I think most of us can still look relatively objectively at something and realize it isn't the total sum of that person's work but the artist can and often does have a fragile ego.

One of the heroines of the Penny stories is Clara who lives in Three Pines and has been knocking out art for over 20 years now. She has finally been recognized and has her own solo show. This doesn't come as a surprise to those who know her but due to bad reviews years before she never really thinks her work is good enough. As a result of this self-deprecating thinking, Clara is physically sick about attending her own show. In fact if she didn't have friends to literally hold her hand as she walks in, she thinks she would have gone home and missed the entire party. Suffice it to say, she makes it through, endures the false praise as well as the honest and is the guest of honour at a party in her home town afterwards. The next morning she is going over the previous evening and enjoying her garden when a body is found. The body is in her front garden and is a stranger to the town. The stranger is wearing a party dress but no one seems to remember her attending the party, or inviting her either. The more we learn about the victim the more interesting the story becomes. I really don't want to give away a whole lot because this is such a fun book. There is the completely bitchy element of gallery owners who made bad choices, past relationships brought up as well as people who are doing their level best to change the way they have behaved in the past.

If you have read any of Ms. Penny's previous books then the character development continues. We catch up with cantankerous Ruth, lovely Myrna as well as Gabri and Olivier at the bed and breakfast. There is a lot of forgiveness to give and take in this story as a result of previous books as well. It leaves you with almost a warm fuzzy. Enjoy!

You can find more of my book and movie reviews at: http://ukchica.com/



วันศุกร์ที่ 19 เมษายน พ.ศ. 2556

Lilith: Demon of the Night, By Theodore Jerome Cohen - Book Review

AppId is over the quota
AppId is over the quota

Author Theodore Jerome Cohen brings his NYPD Detective Louis Martelli back with his partner Sean O'Keeffe in his novel Lilith, Demon of the Night, as the duo sleuths solve a bizarre series of murders dealing within the dark side of cult rituals and vampirism.

When a bullet is shot into the coffin containing a corpse lying in state at a funeral home from a mysterious cloaked perpetrator, the odd circumstances alerted NYPD's homicide detectives to take notice. The obvious question of who would want to shoot someone who was already dead prevails; as other details emerge alluding to the rituals and beliefs of something out of Bram Stoker's Dracula. Using silver through the heart, wood stakes to the chest, garlic in the mouth and even a silver crucifix in the coffin, the detectives find these techniques used to keep a vampire rising from the dead as they exhume bodies linked to the trail of finding the serial killer. With twists and turns like a Boa constrictor, the venomous plot unfolds and transports the reader from a modern day high-tech crime fighting novel into the dark side of cult practices within the mind of a serial murderer fixated on revenge.

Theodore Jerome Cohen writes in a very convincing and discerning fashion, offering credibility to his characters with his commonsensical understanding of police investigative techniques. He embellishes his characters with a harmonized balance of dialogue and descriptions, achieving excellent visualization within the reader's mind. The author's written wit is consistent with stereotypical references to tough, macho police work, yet Louis Martelli possesses an intrinsic understanding of human nature. I found it rather clever that in many instances Theodore Cohen referenced prior instances of his character Martelli's experiences from other novels, rewarding the loyal readers of his series with a bit of magniloquent pleasure.

Impeccably written with the obvious goal to entertain, Theodore Jerome Cohen once again effectuates what he set out to accomplish. Lilith is a trophy on any shelf, a book worthy of an afternoon's reading enjoyment, a fine gift, or a welcome companion to take on a trip. Written for young adults all the way to mature audiences, Lilith - Demon of the Night stands on its own merit as an enjoyable read. When combined with TJC Publication's other novels in the Detective Louis Martelli series, it becomes a link in the chain of adventures; an episode quite a bit different from the others.

Editor's note: This novel contains adult language

Reviewed by: Gary Sorkin

Gary Sorkin is the Senior Editor for Pacific Book Review. Please visit Pacific Book Review at: http://www.pacificbookreview.com/



วันอาทิตย์ที่ 7 เมษายน พ.ศ. 2556

In Dog We Trust

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AppId is over the quota

Desiring to escape his meager middle class existence, and a dead-end job making doughnuts, J.R. dreams of success as a world class counterfeiter. It is a dream that is consistent with the American dream, as J.R. explains in a journal entry: "I had a viable dream! A big, daring, foolproof plan to enter the great mansion of capitalism by using the side door. You can acquire money by earning it, winning it, stealing it, or printing it." Or is the notion that one can attain wealth by any means necessary truly compatible with what we've come to call "the American dream"? Have we as a nation, under the magical power of money, failed to truly consider the nature of our greed and its effect on our neighbors? Is the "American dream" founded on our mindless faith in a 'false-god'? If so, where will such a 'love of money' lead this country in the end? These are some of the questions author John Rimshas explores in his postmodern novel entitled In Dog We Trust.

Determined to reproduce the perfect twenty dollar bill, J.R. attempts to bring his plan to pass without any real consideration for the rest of society. He reasons that as long as he does not deliberately do any obvious harm to another American citizen, he is not really doing anything wrong. Yet through the course of the novel, and with each succeeding journal entry, J.R. and his 'partner in crime' -- his lovely girlfriend and fellow printer Mickey -- begin to doubt the innocuous nature of their initial intentions; as they slowly see that something as American as acquiring money, when approached with the wrong goal or motivation in mind, or even worse, if accomplished through illegal means, does indeed harm both society at large and one's own soul.

"Actually, it was an accident," J.R. confesses in his journal, explaining the strange occurrence that would alter his career as a counterfeiter, and also the entire financial system in America. While preparing to print more phony twenty dollar bills, one of the photograph negatives had been reversed; and instead of the standard motto that resides on the backside of traditional (or authentic) legal tender, he read the words, "In Dog We Trust." At first it appeared to be merely a mistake; but after a minute, considering the comic (and sardonic) implications of the phrase, J.R. decided to play a trick on the world and the American economic system. So he printed a couple thousand copies of this "funny money," featuring the 'sacrilegious slogan' written on the back above the Whitehouse; reasoning that nobody would know the difference.

According to the field of psychoanalysis there are no accidents. When we "slip" and say (or see) something that betrays our conscious mind, we have, in reality, stumbled upon a truth about our self or the situation at hand. This insight may in turn open us up to a new world within ourselves and change our perspective, and even our life, from that moment onwards. Such was the experience of the narrator of this novel. More significantly, J.R.'s decision to use these "dog bills," which the media defined as "a deliberate attempt to make a mockery of society," contributed to the loss of faith in American currency. Consequently, the circulation of these counterfeit bills (further deflating the value of money in America), helped topple the country's financial system; as it ushered in a sort of post-apocalyptical milieu characterized by anarchy and a survival of the fittest approach to existence.

Ingeniously, Rimshas draws us into the drama of our narrator, whose experience, ironically, runs parallel -- and in a sense presages -- the broader American narrative. In this way, we see that J.R.'s inspiration for gaining wealth, along with the methods he employs to carry out his get-rich-quick scheme, are not unlike the driving motivations and unscrupulous manipulation of the market exhibited by Wall Street brokers and world bankers of late. As J.R grows disheartened with his life dedicated to making money (literally), he plunges into a state of despair that mirrors the economic depression of the nation.

Through the lens of the narrator's experiences we not only get a look at the negative aspects of American capitalism, but we also find that "after the monetary collapse," there exists the possibility to enrich one's life through genuine relationships within a smaller and more personal social arrangement; one centered on religious faith and communal existence. The juxtaposition between these two socio-economic systems, one based on crass self-interest, and the other built on bartering and shared beliefs, provides the reader with a picture of two dramatically different ways of life.

Philosophic in nature, In Dog We Trust describes the potential pitfalls and catastrophic consequences of placing one's faith in something as ephemeral as money. Written in journal form, as each subsequent journal entry brings us closer to the narrator's present place and time, John Rimshas dissects the nature of American capitalism; while demonstrating how our dependence on money can become an addiction as destructive as any other drug habit. Couched in the context of a profound, and often comical, experimental novel, it is a timely work that provides the reader with a literary means of analyzing both the nation's recent economic crisis and the human heart.

Christopher Ackerman
For Independent Professional Book Reviewers
http://www.bookreviewers.org/